Archive for fun finder

Mal Sharpe’s Big Money In Jazz Band

Posted in Bay Area Music, KGO, Mal Sharpe, Night Beat, No Name Bar, Sausalito After Dark, Sausalito night life with tags , , , , , , , , , on September 7, 2011 by joetatesblog

Mal Sharpe is anAmerican television and radio personality who also leads a Dixieland jazz band in the Bay Area. According to Wikipedia, “In the early 1960s, Sharpe teamed with Jim Coyle to create a series of comic on-the-street interviews for San Francisco radio station KGO. Armed with a tape recorder, Coyle and Sharpe confronted pedestrians with unusual questions or strange behavior. In a 1964 interview with Newsweek magazine, Sharpe explained “We try to pose an almost plausible question, then proceed step by step into absurdity until the interviewee is seething.”

Big Money In Jazz: L-R Jeff Sanford, Leon Oakley, Bill Dekuiper, Mal Sharpe, Joe Mckinley and Carmen Consino

Mal Sharpe’s Big Money In Jazz Band has been playing at the No Name Bar in Sausalito, CA every Sunday afternoon since about 1990. Listening to them is an authentic trip down yesteryear. It’s like going back to the roaring twenties to a time before any of us were born (including Mal Sharpe) to an era of good times and no worries.

Mal Sharpe

Mal sings some songs you may never have heard of, but they really swing. He belts out Goin Back To Indiana, then gives it the trombone treatment as only he can do. With the clarinet, coronet and trombone weaving an intricate melodic web, it’s New Orleans in Sausalito. That Clarinet is played by Jeff Sanford who doubles on saxophone. Sharpe takes turns with Sanford on solos with equal time given to Leon Oakley on coronet.

Jeff Sanford

The sound is rounded out with a solid rhythm section consisting of Carmen Consino on drums and Joe Mckinley on Bass. Chords are laid down on guitar by Bill Dekuiper.

After a few songs they are all joined by Faith Winthrop on vocals for her rendition of Cheek To Cheek, the Irving Berlin classic. She sings with a well trained voice that is dripping with sweet inflections of the Jazz Age. Following this is Louis Armstrong’s Someday You’ll Be Sorry in which the full impact of the band and singer adds exponentially.

Winthrop, who grew up in Boston, came to Sausalito in 1955 where she lived for a while and during which time she sang at the hungry i in San Francisco.

Faith Winthrop and Carmen Cosino

After wandering to Los Angeles, New York and other points east, she returned here in 1965 and married. She was a featured singer at the Razz Room for many years and has lately been appearing here regularly with Mal Sharpe’s Big Money In Jazz Band. Here’s hoping she continues here for the foreseeable future.

There is a request for Basin Street Blues which is happily obliged by Sharpe who delivers the vocal.

Everybody solos including the guitar driven by Bill Dekuiper. This is Kenny Burrell redux with a strong taste of blues.

Leon Oakley

When the drums came in, it was in four bar segments, with Consino playing four bars solo and then four bars with the band  with maybe four reps.

Winthrop returned to the stage and sang Ain’t Misbehavin, the wonderful standard from Fats Waller. This song, written in 1929, is perfect for Dixieland with its drawled out melody and swing rhythm. A song called New Age Old age is next. This is a twelve bar blues that was written by Winthrop.

Bill Dekuiper and Joe Mckinley

Bill Dekuiper and Joe Mckinley

Winthrop continued on with Wrap Your Troubles In Dreams, written by Harry Barris, Ted Koehler, and Billy Moll but made famous by Louis Armstrong. This is an especially beautiful song and when her lovely voice gave way to the sax, it was music heaven, with new and inscrutable melodies filling the room.

Mal Sharpe took over for a few minutes with I Want A Little Girl, another song made famous by Louis Armstrong. Winthrop returned right away though with I’m Beginning To See The Light, a Duke Ellington song that was a hit for Ella Fitzgerald.

On this song, the coronet and and alto sax take fours. The rhythm section continues while Dekuiper and Oakley take turns at four bars each. It works up into a frenzy when they change it to two bars. They all come in climatically and then fall off as the voice comes back in. Dramatic!

At this point, Tao Jones, a regular performer at the No Name Bar, shows up and sings Just A Little While To Stay Here, a gospel favorite of unknown provenance.

Tao Jones belts out a couple

With a strong baritone voice, he leads the band into some new territory and it starts to rock. At least that’s what the audience was doing.

At The Jazz Band Ball, a fast tune by Louis armstrong, is played with hot instrumentals and drum breaks. The drum breaks aren’t just fours, but actual solos this time around.

Winthrop comes back and sings Georgia, with a false start and a key change. After changing from Eb to Bb, it comes off beautifully with a super solo on soprano sax as well as trombone.

L-R Jeff Sanford, BHill Dekuiper, Leon Oakley, Joe Mckinley, Mal Sharpe and Faith Winthrop

She gives us one more with A Hundred Years From Today, a song written by Victor Young, the lyrics by Ned Washington and Joe Young. The song was published in 1933. This song is about how we should enjoy life because what we do won’t matter in a hundred years, a contention that is losing favor these days.

Mal Sharpe ends the set singing The Song Has Ended, another by Irving Berlin but made famous by Ella Fitzgerald.

To learn More About Mal Sharpe go to http://www.keller.com/bass/bigmoney/

To learn more about Faith Winthrop go to http://www.faithwinthrop.com/bio.html

To learn more about the No Name Bar go to http://localmusicvibe.com/venue/no-name-bar

Blue Monday at the Sausalito Cruising Club

Posted in Bay Area Music, Eugene Huggins, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , , , , on August 22, 2011 by joetatesblog

Blue Monday was fortunate this August 8, to have a visiting Band from the East Bay. Juke Joint plays classic R&B, with guitar, bass, drums and a little horn section of trumpet and sax. The house band, led by Joe Tate with Jeff Costello, Willie riser and Donny Kountz, warmed the place up before introducing Juke Joint.

Juke Joint: L-R Cayce Carnahan, Barbara Speed, David Bailey, Ted Stewart, Roger Bergen and John Bergen

Starting off with Otis Redding’s Can’t Turn You Loose, all the little horn parts are laid down over driving bass and drums under the expert control of Ted Stewart. Dave Baileys vocals sound very authentic in his own belt em’ out style.

Ted Stewart

Although these folks all now live in the East Bay, Ted Stewart has a long history here in Sausalito. After playing many years with the Redlegs, drummer Stewart formed Contraband which was later renamed Sugar Daddy.

Even further back in time, Ted Stewart and Joe Tate played with Salvation, a San Francisco 60s rock band that played numerous dates at both the Fillmore Auditorium and the Avalon Ballroom opening for Bo Diddley, Chuck Berry and the Doors among others..

Stewart has enjoyed a career in jazz since moving to the East Bay. He is still perfectly at home with R&B. Just listening, you’d think he never played anything else.

David Bailey

Next up is knock On Wood, the Eddie Floyd and Steve Cropper hit that has been covered by everyone from Otis Redding to David Bowie.

David Bailey really nails this one. Bailey does most of the vocals and plays the harmonica here and there where needed.

Juke Joint burns through Can’t Get Next To You, I feel Good and High Flyin’ Baby before kindly relinquishing the stage to other musicains. Learn more about Juke Joint at http://jukejointband.com/

Next up was Coyote And Crew with, among others, Gary Schevenstuhl who also brought his own band, who played a little later.

Ron Rosano, Harry Gold, Willie Riser and Bonnie Hofkin

There was also a visit by Oakland bluesman, Harry Gold, who sings in a high tenor, pitch perfect voice while wailing the blues on guitar. It is really a pleasure to hear him.

Ken Markowitz

Longtime Sausalito Cruising Club member, Ken Markowitz, was up next with Chris Pruess, both on guitar. Markowitz is sort of like a Dean Martin with a guitar, singing in a faux inebriated voice while looking super cool. They were joined by Willie Riser and Ted Stewart. Very amusing.

In the final jam, Eugene Huggins accompanied Kathy Holly on harmonica while she sang Crazy, Willie Nelson’s signature song that was such as smash for Patsy Cline.

Jeff Costello, Eugene Huggins, Jake Baker. Kathy Holly and Willie Riser

Holly has a great interpretation of it. With her jazz tinged voice, she presents subtle textures with a roboto timing. Jeff Costello confidently laid down the chord progression while Huggins’ soulful harmonica created shivers. Holly also produces Cabaret Night, a monthly show featuring many singers and always a great variety of music. Check out Holly’s site at http://kathyholly.com/

The Blue Monday schedule is supposed to be every other Monday. However, certain chaotic functions have altered that to almost every Monday this year. To see upcoming Blue Monday Jams, go to Joe Tate’s Local Music Vibe profile at http://localmusicvibe.com/band/joe-tate

To learn more about the Sausalito Cruising Club go to http://www.sausalitocruisingclub.org/

Cabaret Night at the Sausalito Cruising Club 063011

Posted in Bay Area Music, Night Beat, Sausalito After Dark with tags , , , , , , , , on July 18, 2011 by joetatesblog

Every month or so, the Sausalito Cruising Club hosts Cabaret Night, produced by Kathy Holly, who brings together a wonderful retinue of singers and musicians to perform cabaret style entertainment. Tonight the theme is “Back To The Roaring 20s” with Kathy Holly et al in costume.

Roaring 20s Chorus; L-R Valeriana, Kat Fitzgerald, Connie Ducey, Debra Mugnani, Marilyn Cooney, Kathy Holly and Dorothy Donell

For the Sausalito Cruising Club, which usually hosts pop and blues bands, this is a bit of comic relief. These gals deliver some really fine music though. With their sweet voices and the expert backing with David Miotke on piano and Chris Amberger on bass, the music touches the senses in ways seldom heard nowadays.

Connie Ducey, David Miotke and Chris Amberger

The ladies take turns doing a couple songs each, starting with Connie Ducey who lays down More Than You’ll Ever Know and My Baby Just Cares For Me, the Walter Donaldson/Gus Kahn song written for the Ziegfeld comedy, Whopeee, Staring Eddie Cantor.

Kat Fitzgerald takes the stage and gives out Wild About Harry,a song written in 1921 with lyrics by Noble Sissle and music by Eubie Blake for the Broadway show Shuffle Along. The interaction between her and the piano is sweet syncopation that quickens the pulse. The response is manifested by the folks on the dance floor.

Kat Fitzgerald

Some of the other solos included Kathy Holly singing Hard Hearted Hanna,the much recorded tune written by Milton Ager, with lyrics by Jack Yellen, Bob Bigelow, and Charles Bates. Her energy is overflowing and infects everyone listening.

The grand finale, shown above, was Anything Goes, from the Cole Porter musical of the same name.

The Cabaret Night will return to the SCC on September 22.

To learn more about Kathy Holly and the Cabaret Nights go to

http://www.kathyholly.com/

To learn more about the Sausalito Cruising Club go to

http://www.sausalitocruisingclub.org/

Just down the street at the No Name Bar, Joe Tate and Friends hold forth every Saturday evening at 6. Tonight, Tate is joined by Miles Ceralde, a very talented young guitarist who adds just the right touches to Tate’s vocals and rhythm guitar.

Joe Tate and Miles Ceralde What is that chord?

Both are backed by Lonnie Walter on bongos, giving the music a coffeehouse flavor. Although Tate throws in a few protest songs, it’s not the folksinging style of the sixties, but rather a mix of sophisticated standards and regular old blues and pop. Tate sings a few songs of local interest too, like Sausalito Girl, his own composition about the artist women of Sausalito. You might also hear him sing Dock Of The Bay, the famous Otis Redding song written when the soul/bluesman visited here shortly before his death.

Gabe Navarre and Miles Ceralde

Gabe Navarre and Miles Ceralde

Sitting in tonight is Gabe Navarre, a local guy who could play Hendrix licks when he was a teenager. Now he has developed a wonderful singing voice that is powerful and distinct. When he sings Randy Newman’s Guilty, the walls shudder from his deep baritone setting everything in motion.

Occasionally, Gabe appears here with Tate for the entire gig. They are scheduled to play here August 27. If you haven’t heard him, this is the opportunity.

To learn more about the No Name Bar go to

http://localmusicvibe.com/venue/no-name-bar

To learn more about Joe Tate go to

http://fwd4.me/02ts

Please check out Joe Tate’s Ukulele Baby Songbook

http://ukulelebaby.org/

Contact Joe Tate for parties and stuff at

joebtate@gmail.com

Michael Aragon Jazz Quartet, Blue Monday at Sausalito Cruising Club, Wendy DeWitt, Joe Tate and Jeromeo at the No Name Bar

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , on June 13, 2011 by joetatesblog

Michael Aragon has been playing Jazz at the No Name Bar in Sausalito every Friday night for the past 28 years. Probably the longest running jazz gig in the Bay Area.  Starting in 1983 with Dick Conte on piano and Chuck Sher on Bass, the group has evolved over many years.  Vince Wallace, a master of the tenor sax, joined the group between 1986 and 1991. During the 90s, Jackie King provided his incredible guitar. In this configuration, they cut an album with Willie Nelson.

Michael Aragon Jazz Quartet today: L-R Casey Filson, Rob Roth, Pierre Archain and Michael Aragon

Yolanda Nickel, a protege’ of Vince Wallace, also worked these Friday night sessions for many years.

Today the group consists of Casey Filson on piano, Rob Roth on saxophone, Pierre Archain on Bass and Michael Aragon on Drums. Progressive jazz is the main bag but, Aragon often has guest singers and other players who may perform old standards, R&B or blues. For Bay Area  jazz, this is as good as it gets.

Michael Aragon

Michael Aragon was born in the old town section of Sausalito where his parents owned a considerable amount of land. Sally Stanford often would baby sit with him when he was little. Aragon was spared the burden of wealth because his parents gave their entire fortune to charity.

He gained his love of music from the singing of his mother, who remarkably, had memorized the entire Bible. It was jazz that captivated him later on, though he dabbled in many other styles including some standup vocal work.

His playing is reminiscent of Elvin Jones, a figure he has always admired.

Rob Roth

Rob Roth came to California from Philadelphia in 1999 and started with Aragon in 2000.  He graduated from Temple University where he majored in Jazz Performance.

Rob turns in some smokin’ hot solos on stuff like Bailing Out or Bud Powell. Sounding like his hero, Dexter Gordon, Roth has complete control of the tenor saxophone. It is a pleasure to hear his renditions of the Antonio Carlos Jobim bossa novas.

Casey Filson has been doing the piano chores here for about three years. Living in the East Bay, he grew up in Richmond  and teaches at Saint Mary’s College High School in Berkeley.

Filson’s excellent playing gives the perfect framework for the Quartet’s extensive playlist. The piano is the department of chord progressions and they flow from his hands in an unbroken stream.

Pierre Archain plays a strong rhythmic bass style that insistently drives the music while meshing with the profusion of chords. He has held down the bass position here since the 1980s.

Pierre Archain

Archain was born in the south of France where he grew up in Montpellier and Toulouse as well as Nice. He came to New york in 1979 but ended up in San Francisco.

If you like jazz, you’ll love the Michael Aragon Jazz Quartet. They are at the No Name bar in Sausalito, CA every Friday night starting at 9 PM.

The No Name Bar has been here since 1958. The owners who opened it then couldn’t decide on a name. During the remodeling of the bar, they wrote various trial names on the wall. These can still be seen if one peeks behind the bar.

In addition to friday Jazz, the No Name Bar has music every night of the week. To see the schedule go to

http://localmusicvibe.com/venue/no-name-bar

The June 6, Blue Monday jam session at the Sausalito Cruising Club was powered by 19 jammers including Steve Gannon, a founder of the Monday night sessions at SCC. Led by pianist Billy Dunn, his R&B quartet with keyboard, bass, drums and guitar played by Gannon, held forth every Monday here for many years. Gannon, who recently overcame cancer, was warmly received by all the many folks here who knew him.

Steve Gannon and Shima Moore

There were many of the regular jammers in attendance along with some new people who were invited to the stage including Shima Moore. She joined Gannon and sang a few oldies including When Will I Be Loved, made famous originally  by the Everly Brothers and later by Linda Ronstadt.

The house band is now Joe Tate, Willie Riser and Donny Kountz on guitar, bass and drums respectively. They performed an opening set old R&B, New Orleans, and rock music.

Coyote and crew

Tate opened the stage for jammers at about 8:00 PM. First  up was John “Coyote” Egan and his guitar students. Numbering six in all, this took a huge chunk out of the waiting cue. They played really  well and the dance floor came alive.

Paul Bohan and Willie Riser

Slowly,  through various rotations, almost everyone got to play or sing including Daylight Again, a trio of singers who laid down some tight harmony on old standards and whatnot. Beautiful to listen to though.

Great performances were also turned in by Paul Bohan, Gabe Navarre and Miss Suzie Q.

Gannon and Tate performed the finale’ with Roosevelt Blues, a compelling sort of historical review of American presidents. You can see Joe Tate perform Roosevelt Blues at

http://www.youtube.com/watch?v=k6F7nYzcqJ8

To learn more about the Sausalito Cruising Club go to

http://www.sausalitocruisingclub.org/

Kirk Harwood, Joe Tate and Wendy DeWitt

Joe Tate appears every Saturday evening at the No Name Bar in Sausalito with Various Artists. On June 4, he was joined by Miss Wendy DeWitt and Kirk Harwood who was substituting for Lonnie Walter.

DeWitt is an incredible performer, combining piano virtuosity with strong vocals covering the blues, standards and a healthy dose of boogie woogie .

Tate adds his own charm to the ensemble with a powerful baritone voice that is well matched to stuff like Minnie The Moocher, of Cab Calloway fame.

Lonnie Walter, Joe Tate and Jeromeo

The following week, on June 11, Jeromeo shared the stage with Tate and the resurrected Lonnie Walter. Just as with DeWitt, Tate doesn’t have to work very hard with Jeromeo on account of having the bass lines and chord rhythms supplied by their excellent keyboard work.

To learn more about Wendy DeWitt go to http://www.wendydewitt.com/

To learn more about Joe Tate go to http://fwd4.me/02ts

The No Name Bar schedule is at http://localmusicvibe.com/venue/no-name-bar


The Ukulele Friends Ohana at Area 51 41511

Posted in Bay Area Music, Night Beat, Sausalito After Dark, ukulele music, Uncategorized with tags , , , , , , , on April 20, 2011 by joetatesblog

The UFOs meet every Friday at a secret location usually referred to as Area 51. It is, of course, a private party and privacy must be respected. However, Night Beat has obtained permission to tell about the kanikapila, which is a music party involving ukulele playing and singing with emphasis on Hawaiian music. It’s also a pot luck dinner which is taken after about a dozen songs have been played.

There’s usually about 20 singer players participating and it makes a wondrous sound with all the voices. There are also several skilled hula dancers who jump right in whenever the right songs are played.

Squadron 1: Kimo B., Rick Creelman, SQL Del Medina, Susan Rogan and Sandy Bailey

Squadron Leader (SQL) Del Medina refers to each player as a pilot and the group frequently undertakes away missions for various other parties and club appearances.

Tonight the first set features many of the traditional Hawaiian songs plus a few of what is called hapa haole songs. These are songs which may be of or about Hawaii, but don’t spring directly from Hawaiian tradition.

Bu, Val and Amy harmonize

Anyway, SQL Medina calls out the songs which the pilots find in their flight manuals which have the chords and words for about 200 songs.

First off is Amelia Earhart’s Last Flight which recounts the last hours the fearless lady on her tragic flight. Then some Elvis tunes like Blue Hawaii and Can’t Help Falling In Love. Just to make sure, Blue Hawaiian Moonlight finishes the King’s set.

Several hulas are then played including Hanalei Moon and Koke’e written by Bob Nelson and Dennis Kamakahi respectively. There are also a bunch of Hawaiian songs with moving rhythms. In A Canoe and Manuela Boy come to mind. Theres also My Little Grass Shack, which never fails to generate excietment.

Pilots Chris Burns, Maggie Catfish and Tom Barr

After dinner volunteer pilots take the stage in groups of one to four and give their renditions of special songs they have prepared for the night. These usually follow a theme.

The theme tonight was songs about mothers and this created some humorous offerings as well as poignant ballads and even a couple hymns. For instance Little Egypt was humorous and Farther Along was poignant.

There were many more songs culminating in Ahi Wela/Lover Of Mine/Aloha ‘Oe, a beautiful mashup of Hawaiian treasures. Alohas were exchanged and everyone left. They would all meet again the next day at the Sleeping Lady Cafe where they play every Saturday at 2PM.

From the UFO archives: hula fun

to learn more about the UFOs, go to

http://www.rubbaslippa.com/

or to see them on You Tube

http://www.youtube.com/watch?v=cSxGpcPMYMA

the Ukulele Baby Songbook is at

http://ukulelebaby.org/

For booking contact Del Medina at

del@themedinas.com

Blue Monday at the Sausalito Cruising Club 032811

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , on March 31, 2011 by joetatesblog

Another fun night of jamming at the Sausalito Cruising Club was had with at least 25 musicians who came to sit in. Every one got a chance to play though. How this was done follows.

After a 40 minute set by the house band, Donny Kountz, Wille Riser and Joe Tate, the first jammers were brought up in organized groups. Starting with John “Coyote” Egan, who brought some of his students and other cohorts, the music was well arranged in spite of the “jam session” thing.

L-R Robert Hobart,Travis Yee, Andy, Don Nguyen and Coyote

Coyote is backed by Travis Yee on guitar, Robert Hobart on guitar, Don Nguyen on bass and Andy on drums.

Coyote has a bunch of original bluesy songs that all these guys know, so it’s good for them to all come up together. Coyote lays down a nice Albert King kind of blues but his student Travis is a smokin’ hot youngster and Coyote uses him to good advantage.

Next up was another rehearsed group playing under the leadership of Gary Berger. Anthony Lincoln was an exciting singer and he doubled on saxophone.

L-R Bonnie Hofkin, Ron Lando, Mike Adams, Don Nguyen, Anthony Lincoln, Ken Markowitz and Gary Berger

In addition, this lineup had Ron Lando on guitar, Mike Adams on drums, Don Nguyen on bass and of course Gary Berger on piano. Bonnie Hofkin and Ken Markowitz assisted on harmonica and guitar as was needed.

This group had a lot of torque and this made people dance. They did a few familiar rock and blues numbers while changing the lineup here and there. There was some pressure to get more of the waiting players up but this played out peacefully with only minor hurt feelings.

"Little Mike" Adams

“Little” Mike Adams drifted from group to group all night which only makes sense because there was a shortage of drummers. There were plenty of guitars though which made it easy on Joe Tate who only had to manage all the others who wanted to play.

Another interesting group on this night was the “Freewheelers.” Fronted by Ilene Vossen, who rocks out on cello, she is backed by Buzz Vossen on bass and Bonnie Hofkin on harmonica.

With house drummer Donny Kountz and guitarist Gabe Navarre, they have a solid beat and got it on right away with stuff like Route 66. Ilene delivers some really nice solos on what is usually thought of as a classical instrument.

 

The Free Wheelers with Gabe Navarre, Bonnie Hofkin, Donny Kountz, Ilene Vossen and Buzz Vossen

What matter though, the sound was new and different and we need some of this stuff just for comic relief from all the serious themes that are carried by the blues.

Anthony Lincoln and Linda Seabright

Throughout much the evening there was some wailing sax coming from the corner of the stage where Anthony Lincoln was hanging with his ax.

There were also some harmonicas working the edge of the room including Scott Sherman and Tom Barr in addition to Hofkin who worked the stage. They had their own amplifiers set up so they would chime in whenever asked. Tate had all three harmonicas blowing at once sometimes. This might have been in poor taste but it was fun.

There was also a performance by “Daylight Again,” a tight harmony trio consisting of Sana Hoffer, David Kemp and Gloria Lopez.

They really lit up the Cruising Club with Ooh Baby Baby, from Crosby Stills and Nash. This was paired up with Have Mercy, a song made famous by Loretta Lynn. They were backed by house band members Donny Kountz on drums and Willie Riser on Bass.

Daylight Again L-R Gloria Lopez, David Kemp and Sana Hoffer

Sana Hoffer also sang solo on Better Off With The Blues, the Delbert McClinton swamp blues hit.

All the jammers made it a great evening and thanks is given here to others who played and sang including Suzie Olsen vocals,Ron Rosano drums, Charlie on guitar and Paul Bohan guitar.

The next Blue Monday Jam session will be on April 11 starting at 7 PM. Bring you instrument and enjoy the buffet dinner for just $5.

For more information about the Sausalito Cruising Club

http://www.sausalitocruisingclub.org/

For more information about Joe Tate go to

http://xrl.in/4y57

To see the Joe Tate’s “Ukulele Baby Songbook” go to

http://ukulelebaby.org/

Here’s the Redlegs playing FBS

http://www.youtube.com/watch?v=fS1ZOiyK06o

Chris Goddard, Joe Tate and Lonnie Walter at the No Name Bar

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life with tags , , , , , , , , , , , , on March 21, 2011 by joetatesblog

L-R Lonnie Walter, Joe Tate and Chris Goddard

Chris Goddard was substituting for Johnny Nitro, who was to have played the No Name Bar this 19th of March, 2011. Unfortunately, Johnny died just four weeks ago, shortly after booking to play here. Everyone was excited that he was coming.

Myron Mu, who owns the Saloon, where Nitro has played for many years, was here that night and he told us the news. Lonnie said “We’re gonna have to cancel Johnny’s date.” It was with sadness that we marked his passing but we tried to rock out for him just as we thought he would have wished.

Joe Tate and weird guitar

Joe Tate and Chris Goddards crutches

Chris Goddard showed up on crutches himself, but still determined to entertain. It’s raining hard again tonight and the regulars are here along with a couple of Nitro’s friends

Joe Tate started off with Little Richards Slipping And Sliding then segued into a few New Orleans style tunes that were beautifully backed by Chris Goddard’s well versed guitar.

It’s a groovy sound, based not on having full band, but more like a coffee house thing with the bongos and guitars. It’s good listening mixed with some get up and dance numbers.

Chris Goddard also sang a few songs. Even though he’s not dancing around, he has still got it going on.

Tom Barr and lonnie Walter

Tom Barr and Lonnie Walter

Tom Barr showed up with his harmonicas and hammered out some nice solos on many of the blues renditions.

Tom regularly plays with the UFOs in San Rafael at a secret location known as Area 51. Joe joins in the fun there too, playing stuff you never get to hear at the No Name Bar.

Tom and Lonnie did some nice backup vocals on some of Joe’s songs and at times sounded like an old fashioned gospel quartet.

At intermission Lonnie talked about Johnny Nitro and in between the sentences you could here the rain coming down hard. Lonnie let us all know how much it hurt him. They knew each other well and both had been living above the Saloon on Grant Ave.

Jane Koestel, who was also a friend of Johnny, was there, but declined to speak.

Joe Tate will be back next Saturday with Wendy DeWitt and Lonnie Walter. Wendy, who was playing with us when Myron told us about Nitro, is a terrific pianist who has the boogie woogie in her soul. Her and Joe have done this gig a few times and it always smokes. It starts at 6. Check it out. http://www.localmusicvibe.com/event/wendy-dewitt-joe-tate-and-lonnie-walter

Johhny Nitro's final booking

To Learn more about Johnny Nitro go to

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/21/BAN81HR1FE.DTL

or  http://www.facebook.com/johnnynitrotribute

To learn more about Joe Tate go to

http://www.theredlegs.com/JoeTate.html

or

http://xrl.in/4y57

For this weeks show go to

http://www.localmusicvibe.com/event/wendy-dewitt-joe-tate-and-lonnie-walter