Archive for Sausalito music

Mal Sharpe’s Big Money In Jazz Band

Posted in Bay Area Music, KGO, Mal Sharpe, Night Beat, No Name Bar, Sausalito After Dark, Sausalito night life with tags , , , , , , , , , on September 7, 2011 by joetatesblog

Mal Sharpe is anAmerican television and radio personality who also leads a Dixieland jazz band in the Bay Area. According to Wikipedia, “In the early 1960s, Sharpe teamed with Jim Coyle to create a series of comic on-the-street interviews for San Francisco radio station KGO. Armed with a tape recorder, Coyle and Sharpe confronted pedestrians with unusual questions or strange behavior. In a 1964 interview with Newsweek magazine, Sharpe explained “We try to pose an almost plausible question, then proceed step by step into absurdity until the interviewee is seething.”

Big Money In Jazz: L-R Jeff Sanford, Leon Oakley, Bill Dekuiper, Mal Sharpe, Joe Mckinley and Carmen Consino

Mal Sharpe’s Big Money In Jazz Band has been playing at the No Name Bar in Sausalito, CA every Sunday afternoon since about 1990. Listening to them is an authentic trip down yesteryear. It’s like going back to the roaring twenties to a time before any of us were born (including Mal Sharpe) to an era of good times and no worries.

Mal Sharpe

Mal sings some songs you may never have heard of, but they really swing. He belts out Goin Back To Indiana, then gives it the trombone treatment as only he can do. With the clarinet, coronet and trombone weaving an intricate melodic web, it’s New Orleans in Sausalito. That Clarinet is played by Jeff Sanford who doubles on saxophone. Sharpe takes turns with Sanford on solos with equal time given to Leon Oakley on coronet.

Jeff Sanford

The sound is rounded out with a solid rhythm section consisting of Carmen Consino on drums and Joe Mckinley on Bass. Chords are laid down on guitar by Bill Dekuiper.

After a few songs they are all joined by Faith Winthrop on vocals for her rendition of Cheek To Cheek, the Irving Berlin classic. She sings with a well trained voice that is dripping with sweet inflections of the Jazz Age. Following this is Louis Armstrong’s Someday You’ll Be Sorry in which the full impact of the band and singer adds exponentially.

Winthrop, who grew up in Boston, came to Sausalito in 1955 where she lived for a while and during which time she sang at the hungry i in San Francisco.

Faith Winthrop and Carmen Cosino

After wandering to Los Angeles, New York and other points east, she returned here in 1965 and married. She was a featured singer at the Razz Room for many years and has lately been appearing here regularly with Mal Sharpe’s Big Money In Jazz Band. Here’s hoping she continues here for the foreseeable future.

There is a request for Basin Street Blues which is happily obliged by Sharpe who delivers the vocal.

Everybody solos including the guitar driven by Bill Dekuiper. This is Kenny Burrell redux with a strong taste of blues.

Leon Oakley

When the drums came in, it was in four bar segments, with Consino playing four bars solo and then four bars with the band  with maybe four reps.

Winthrop returned to the stage and sang Ain’t Misbehavin, the wonderful standard from Fats Waller. This song, written in 1929, is perfect for Dixieland with its drawled out melody and swing rhythm. A song called New Age Old age is next. This is a twelve bar blues that was written by Winthrop.

Bill Dekuiper and Joe Mckinley

Bill Dekuiper and Joe Mckinley

Winthrop continued on with Wrap Your Troubles In Dreams, written by Harry Barris, Ted Koehler, and Billy Moll but made famous by Louis Armstrong. This is an especially beautiful song and when her lovely voice gave way to the sax, it was music heaven, with new and inscrutable melodies filling the room.

Mal Sharpe took over for a few minutes with I Want A Little Girl, another song made famous by Louis Armstrong. Winthrop returned right away though with I’m Beginning To See The Light, a Duke Ellington song that was a hit for Ella Fitzgerald.

On this song, the coronet and and alto sax take fours. The rhythm section continues while Dekuiper and Oakley take turns at four bars each. It works up into a frenzy when they change it to two bars. They all come in climatically and then fall off as the voice comes back in. Dramatic!

At this point, Tao Jones, a regular performer at the No Name Bar, shows up and sings Just A Little While To Stay Here, a gospel favorite of unknown provenance.

Tao Jones belts out a couple

With a strong baritone voice, he leads the band into some new territory and it starts to rock. At least that’s what the audience was doing.

At The Jazz Band Ball, a fast tune by Louis armstrong, is played with hot instrumentals and drum breaks. The drum breaks aren’t just fours, but actual solos this time around.

Winthrop comes back and sings Georgia, with a false start and a key change. After changing from Eb to Bb, it comes off beautifully with a super solo on soprano sax as well as trombone.

L-R Jeff Sanford, BHill Dekuiper, Leon Oakley, Joe Mckinley, Mal Sharpe and Faith Winthrop

She gives us one more with A Hundred Years From Today, a song written by Victor Young, the lyrics by Ned Washington and Joe Young. The song was published in 1933. This song is about how we should enjoy life because what we do won’t matter in a hundred years, a contention that is losing favor these days.

Mal Sharpe ends the set singing The Song Has Ended, another by Irving Berlin but made famous by Ella Fitzgerald.

To learn More About Mal Sharpe go to http://www.keller.com/bass/bigmoney/

To learn more about Faith Winthrop go to http://www.faithwinthrop.com/bio.html

To learn more about the No Name Bar go to http://localmusicvibe.com/venue/no-name-bar

Blue Monday at the Sausalito Cruising Club

Posted in Bay Area Music, Eugene Huggins, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , , , , on August 22, 2011 by joetatesblog

Blue Monday was fortunate this August 8, to have a visiting Band from the East Bay. Juke Joint plays classic R&B, with guitar, bass, drums and a little horn section of trumpet and sax. The house band, led by Joe Tate with Jeff Costello, Willie riser and Donny Kountz, warmed the place up before introducing Juke Joint.

Juke Joint: L-R Cayce Carnahan, Barbara Speed, David Bailey, Ted Stewart, Roger Bergen and John Bergen

Starting off with Otis Redding’s Can’t Turn You Loose, all the little horn parts are laid down over driving bass and drums under the expert control of Ted Stewart. Dave Baileys vocals sound very authentic in his own belt em’ out style.

Ted Stewart

Although these folks all now live in the East Bay, Ted Stewart has a long history here in Sausalito. After playing many years with the Redlegs, drummer Stewart formed Contraband which was later renamed Sugar Daddy.

Even further back in time, Ted Stewart and Joe Tate played with Salvation, a San Francisco 60s rock band that played numerous dates at both the Fillmore Auditorium and the Avalon Ballroom opening for Bo Diddley, Chuck Berry and the Doors among others..

Stewart has enjoyed a career in jazz since moving to the East Bay. He is still perfectly at home with R&B. Just listening, you’d think he never played anything else.

David Bailey

Next up is knock On Wood, the Eddie Floyd and Steve Cropper hit that has been covered by everyone from Otis Redding to David Bowie.

David Bailey really nails this one. Bailey does most of the vocals and plays the harmonica here and there where needed.

Juke Joint burns through Can’t Get Next To You, I feel Good and High Flyin’ Baby before kindly relinquishing the stage to other musicains. Learn more about Juke Joint at http://jukejointband.com/

Next up was Coyote And Crew with, among others, Gary Schevenstuhl who also brought his own band, who played a little later.

Ron Rosano, Harry Gold, Willie Riser and Bonnie Hofkin

There was also a visit by Oakland bluesman, Harry Gold, who sings in a high tenor, pitch perfect voice while wailing the blues on guitar. It is really a pleasure to hear him.

Ken Markowitz

Longtime Sausalito Cruising Club member, Ken Markowitz, was up next with Chris Pruess, both on guitar. Markowitz is sort of like a Dean Martin with a guitar, singing in a faux inebriated voice while looking super cool. They were joined by Willie Riser and Ted Stewart. Very amusing.

In the final jam, Eugene Huggins accompanied Kathy Holly on harmonica while she sang Crazy, Willie Nelson’s signature song that was such as smash for Patsy Cline.

Jeff Costello, Eugene Huggins, Jake Baker. Kathy Holly and Willie Riser

Holly has a great interpretation of it. With her jazz tinged voice, she presents subtle textures with a roboto timing. Jeff Costello confidently laid down the chord progression while Huggins’ soulful harmonica created shivers. Holly also produces Cabaret Night, a monthly show featuring many singers and always a great variety of music. Check out Holly’s site at http://kathyholly.com/

The Blue Monday schedule is supposed to be every other Monday. However, certain chaotic functions have altered that to almost every Monday this year. To see upcoming Blue Monday Jams, go to Joe Tate’s Local Music Vibe profile at http://localmusicvibe.com/band/joe-tate

To learn more about the Sausalito Cruising Club go to http://www.sausalitocruisingclub.org/

Michael Skinner’s Final Touch Band at the Sausalito Cruising Club

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , on June 29, 2011 by joetatesblog

The Final Touch Band comes to the Sausalito Cruising Club as part of the legacy from the Blue Monday jam sessions that were led by Billy Dunn and Michael Skinner here some years back. Although The Final Touch Band predated the jam sessions, it was some time before FTB would be playing their spectacular brand of rhythm and blues at the  Sausalito Cruising Club. Joining FTB tonight are guitarist Steve Gannon and bassist Larry James, both members of the old SCC jam band. Although The first Sessions featured Pat Wilder on guitar, Gannon became the regular for several years.

The Final Touch Band; L-R Steve Gannon, Michael Skinner, Larry James and Richard Younger

The Final Touch Band is the brainchild of Michael Skinner, a talented drummer/singer who grew up in Richmond, CA where  as a youngster he played and sang with the Spiritual Corinthians. He learned music from his late brother Melvin and his uncle both of whom were members of the Spiritual Corinthians. He graduated from Harry Ells High School in 1984. “Charisma” was his first band.

Michael Skinner at work

Soon he would be playing with Beverly Stovall at the Serenader Club in Oakland, CA where he met up with Billy Dunn and later Curtis Lawson.  This was his core group leading up to the formation of the FTB, which at first was with Leonard Hawkins, Dale Whitmore and Larry James on guitar. Tonight, Richard Younger is subbing for Hawkins on keyboards. He’s a funny guy all laughing and joking. The way he moves around the keyboard, he looks like Ray Charles.

Michael Skinner’s rendition of Mustang Sally is something to behold. With his powerful gospel trained voice, he lends incredible power to this Wilson Pickett classic. The ending, which Michael arranged, is like no other and is an apt demonstration of this band’s power. All their songs have great endings.

Larry James wails with Steve Gannon L and Richard Younger R

Bassist Larry  James, who doubles on guitar, can really belt out some oldies but goodies too. His version of Shake rattle and Roll segues into shout, the Isley Brother smash from yesteryear.

Steve Gannon sings the blues

Steve Gannon delivers up some good blues with Howlin’ Wolf’s, Baby, How Long. This man can play some guitar too, and in a most pleasing way. His playing can be searing and laid back at the same time. Sort of like sweet and sour, it’s delicious.

Gannon, who grew up in London, came to Oakland in 1985 after the end of a ten year marriage. When he was invited to Eli’s Mile High Club in Oakland, he played with Beverly Stovall and Sonny Rhodes who took him on tour of Canada with his band.

Steve wound up playing in the house band at Eli’s three nights a week. There was an after-hours club called Deluxe Inn where he finally met Michael Skinner sometime in the 80s. Later he hooked up with Billy Dunn in Curtis Lawson’s band where he shared guitar duties with the late Drake Levin.

Joe Tate medleys with Michael Skinner

There was one other little surprise for the night; Joe Tate showed up and sang a couple of old favorites like Blueberry Hill and High Heeled Sneakers, which is done in a medley of songs traded back and forth between Tate and Skinner. It went sort of like this; Tate sang a verse of High Heeled Sneakers then Skinner sang a verse of Big Boss Man. Bits of several songs were strung together with alternating singers in a sort of faux competition. Amusing.

The Final Touch Band will return to the Sausalito Cruising Club on Friday July 1 at 8:00 PM

To contact the Final Touch Band go to

http://www.gigleader.com/band/michael-skinner-and-final-touch

To learn more about the Sausalito Cruising Club go to

http://www.sausalitocruisingclub.org/

Michael Aragon Jazz Quartet, Blue Monday at Sausalito Cruising Club, Wendy DeWitt, Joe Tate and Jeromeo at the No Name Bar

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , on June 13, 2011 by joetatesblog

Michael Aragon has been playing Jazz at the No Name Bar in Sausalito every Friday night for the past 28 years. Probably the longest running jazz gig in the Bay Area.  Starting in 1983 with Dick Conte on piano and Chuck Sher on Bass, the group has evolved over many years.  Vince Wallace, a master of the tenor sax, joined the group between 1986 and 1991. During the 90s, Jackie King provided his incredible guitar. In this configuration, they cut an album with Willie Nelson.

Michael Aragon Jazz Quartet today: L-R Casey Filson, Rob Roth, Pierre Archain and Michael Aragon

Yolanda Nickel, a protege’ of Vince Wallace, also worked these Friday night sessions for many years.

Today the group consists of Casey Filson on piano, Rob Roth on saxophone, Pierre Archain on Bass and Michael Aragon on Drums. Progressive jazz is the main bag but, Aragon often has guest singers and other players who may perform old standards, R&B or blues. For Bay Area  jazz, this is as good as it gets.

Michael Aragon

Michael Aragon was born in the old town section of Sausalito where his parents owned a considerable amount of land. Sally Stanford often would baby sit with him when he was little. Aragon was spared the burden of wealth because his parents gave their entire fortune to charity.

He gained his love of music from the singing of his mother, who remarkably, had memorized the entire Bible. It was jazz that captivated him later on, though he dabbled in many other styles including some standup vocal work.

His playing is reminiscent of Elvin Jones, a figure he has always admired.

Rob Roth

Rob Roth came to California from Philadelphia in 1999 and started with Aragon in 2000.  He graduated from Temple University where he majored in Jazz Performance.

Rob turns in some smokin’ hot solos on stuff like Bailing Out or Bud Powell. Sounding like his hero, Dexter Gordon, Roth has complete control of the tenor saxophone. It is a pleasure to hear his renditions of the Antonio Carlos Jobim bossa novas.

Casey Filson has been doing the piano chores here for about three years. Living in the East Bay, he grew up in Richmond  and teaches at Saint Mary’s College High School in Berkeley.

Filson’s excellent playing gives the perfect framework for the Quartet’s extensive playlist. The piano is the department of chord progressions and they flow from his hands in an unbroken stream.

Pierre Archain plays a strong rhythmic bass style that insistently drives the music while meshing with the profusion of chords. He has held down the bass position here since the 1980s.

Pierre Archain

Archain was born in the south of France where he grew up in Montpellier and Toulouse as well as Nice. He came to New york in 1979 but ended up in San Francisco.

If you like jazz, you’ll love the Michael Aragon Jazz Quartet. They are at the No Name bar in Sausalito, CA every Friday night starting at 9 PM.

The No Name Bar has been here since 1958. The owners who opened it then couldn’t decide on a name. During the remodeling of the bar, they wrote various trial names on the wall. These can still be seen if one peeks behind the bar.

In addition to friday Jazz, the No Name Bar has music every night of the week. To see the schedule go to

http://localmusicvibe.com/venue/no-name-bar

The June 6, Blue Monday jam session at the Sausalito Cruising Club was powered by 19 jammers including Steve Gannon, a founder of the Monday night sessions at SCC. Led by pianist Billy Dunn, his R&B quartet with keyboard, bass, drums and guitar played by Gannon, held forth every Monday here for many years. Gannon, who recently overcame cancer, was warmly received by all the many folks here who knew him.

Steve Gannon and Shima Moore

There were many of the regular jammers in attendance along with some new people who were invited to the stage including Shima Moore. She joined Gannon and sang a few oldies including When Will I Be Loved, made famous originally  by the Everly Brothers and later by Linda Ronstadt.

The house band is now Joe Tate, Willie Riser and Donny Kountz on guitar, bass and drums respectively. They performed an opening set old R&B, New Orleans, and rock music.

Coyote and crew

Tate opened the stage for jammers at about 8:00 PM. First  up was John “Coyote” Egan and his guitar students. Numbering six in all, this took a huge chunk out of the waiting cue. They played really  well and the dance floor came alive.

Paul Bohan and Willie Riser

Slowly,  through various rotations, almost everyone got to play or sing including Daylight Again, a trio of singers who laid down some tight harmony on old standards and whatnot. Beautiful to listen to though.

Great performances were also turned in by Paul Bohan, Gabe Navarre and Miss Suzie Q.

Gannon and Tate performed the finale’ with Roosevelt Blues, a compelling sort of historical review of American presidents. You can see Joe Tate perform Roosevelt Blues at

http://www.youtube.com/watch?v=k6F7nYzcqJ8

To learn more about the Sausalito Cruising Club go to

http://www.sausalitocruisingclub.org/

Kirk Harwood, Joe Tate and Wendy DeWitt

Joe Tate appears every Saturday evening at the No Name Bar in Sausalito with Various Artists. On June 4, he was joined by Miss Wendy DeWitt and Kirk Harwood who was substituting for Lonnie Walter.

DeWitt is an incredible performer, combining piano virtuosity with strong vocals covering the blues, standards and a healthy dose of boogie woogie .

Tate adds his own charm to the ensemble with a powerful baritone voice that is well matched to stuff like Minnie The Moocher, of Cab Calloway fame.

Lonnie Walter, Joe Tate and Jeromeo

The following week, on June 11, Jeromeo shared the stage with Tate and the resurrected Lonnie Walter. Just as with DeWitt, Tate doesn’t have to work very hard with Jeromeo on account of having the bass lines and chord rhythms supplied by their excellent keyboard work.

To learn more about Wendy DeWitt go to http://www.wendydewitt.com/

To learn more about Joe Tate go to http://fwd4.me/02ts

The No Name Bar schedule is at http://localmusicvibe.com/venue/no-name-bar


Sausalito Cruising Club, No Name bar, Taste of Rome and Seahorse

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , , , , on May 16, 2011 by joetatesblog

The Blue Monday Jam Session at the Sausalito Cruising Club on April 25 had over 22 participants, all of whom came to the stage and played. The house band, consisting of Joe Tate, Donny Kountz and Willie Riser, played the first set of lively blues, mostly covers of oldies but goodies.

There was a surprise visit by two members of the Average Dyke Band and they performed several exciting dance tunes. This refers to Staphanie Teel and Carrie Gesendasy who appear here every other Monday and thus alternating with the Blue Monday Jam Session.

Phil Berkowitz, Donny Kountz, Stephanie Teel and Carrie Gesendasy jam out!

There were also many other excellent players taking the stage this night including John “Coyote” Egan with several of his students, who are all proficient guitarists. The Cruising Club also welcomed harmonica wiz, Phil Berkowitz who joined with Teel and Gesendasy as well as Gary Berger and Anthony Lincoln who wails on the sax and vocalizes some good old Motown songs.

On Saturday April 30, Jerome Phillips and Lonnie Walter joined joe Tate at the No Name Bar. Joe Tate sang a couple things that brought the house down including Roosevelt Blues, which seems to clarify some things about American History.

Lonnie Walter, Joe Tate and Jerome Phillips at the No Name Bar

Jerome Phillips is an incredibly skilled musician who segues seamlessly between Gershwin, Leadbelly or The Beatles. This makes it easy for Tate to move around between the many genres he likes to dabble in.

By the way, you can see Joe Tate sing Roosevelt Blues at http://www.youtube.com/watch?v=k6F7nYzcqJ8

In other news, Saylor’s Restaurant and Bar ended it’s music program on April 31st. Eugene Huggins and Chris Goddard played the final show there. Their many years of playing at Saylor’s Landing every Sunday night had become an institution of the Sausalito social scene.. This came to and end when Sean Saylor moved his operation to it’s present location at the former Guernica Restaurant.

Chris Goddard and Eugene Huggins with David Kemp and Sean Saylor sitting in

The wonderful times had at both these locations will be long remembered by many.

There is a happening scene at the Taste of Rome Restaurant at 1000 Bridgeway featuring music from 7-10 on friday and saturday nights. On May 6th, Joe Tate,  Wendy DeWitt, Lonnie Walter and Kirk Harwood were holding forth as “The Taters.”  The gig was supposed to be played with Joe and Cole Tate who call themselves The Taters but, Cole was away on important business.

Wendy really stirred the audience with her virtuoso piano. While Joe is belting out some old favorite, Wendy has his back and drives it home with lots of torque, so to speak.

Kirk Harwood, Lonnie Walter, Joe Tate and Wendy DeWitt at Taste of Rome

Lonnie Walter plays bongos while Kirk Harwood has a pair of congos and other handheld percussion instruments. With the piano and guitar it all creates a very nice sound for a small place where a full band may get to be a little too much.

The high point of the evening may have been when a troupe of Girl Scouts sat in one section all singing the responses to Minnie The Moocher. This of course is the Hi de hi de hi de ho song made famous by Cab Calloway which energizes audiences everywhere.

Joe Tate and Miles Ceralde at the No Name Bar

The next day, May 7, Miles Ceralde  played with Joe Tate and Lonnie Walter at the No Name Bar in what is, perhaps, a prelude of things to come. Miles is just twenty and getting him to play here involved doing some research on the law and convincing the owners that this is legal. Under the rules, none of the other musicians are allowed to drink. That was easy for Joe, whose booze career ended long ago, though Lonnie Walter was a little chagrinned

Ceralde really showed what he was made of, burning up the fretboard with youthful riffs that were decidedly of the jazz and blues flavor. It’s refreshing to see a youngster with so much going on. Miles Ceralde will be back at the No Name Bar with Joe Tate on June 25.

The next week Sandy “Ukulele” Bailey joined Joe Tate and Lonnie Walter at the No Name Bar for a show that was quite different than the usual. Bailey sings and plays ukulele and bass, switching instruments between songs as needed. Joe Tate is an ukulele nut too and tonight he shares some of the bass duties when Bailey plays ukulele.

Joe Tate and Sandy Bailey at the No Name Bar

They performed many Hawaiian  songs interspersed with Americana of the blues and jazz persuasion. With Ukulele Bailey’s sweet smooth voice and Tate’s characteristic growl, the harmony achieved between them is remarkable, especially on the Hawaiian songs, some of which they deliver in the Hawaiian language.

Bailey tore the place up with his rendition of On Bridgeway, a paraody of On Broadway, the smash hit by George Benson. The song even refers to the No Name Bar itself. When Ukulele Bailey returns June 18, you’ll want to come just to hear this song.

A little later this same night, The Tickets played at the Sausalito Seahorse Restaurant which is located on Harbor Drive near Gate 5 Road. The Tickets sound great in this room which has pretty nice acoustics. Debra Clawson, who fronts the group, has an unusual voice which lends itself well to the blues and pop music that make up The Tickets repertoire.

The Tickets at Sausalito Seahorse Restaurant

This restaurant has good food and a nice atmosphere except for the lighting which is overdone. There’s all these weird computer driven LED spots along with colored lights on the stage which make the performers look like zombies. A lot of fun can be had here in spite of these small distractions.

To learn more about The Tickets go to

http://www.myspace.com/theticketsband

To learn more about Joe Tate go to

http://xrl.in/4y57

See the Ukulele Baby Songbook at

http://ukulelebaby.org/

The No Name Bar flyer Joe Tate and Ukulele Bailey

Here’s another video of Joe Tate  playing the ukulele and singing Don’t Think Twice

http://www.youtube.com/watch?v=Ik8zVBZLJtk


Blue Monday at the Sausalito Cruising Club 032811

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , on March 31, 2011 by joetatesblog

Another fun night of jamming at the Sausalito Cruising Club was had with at least 25 musicians who came to sit in. Every one got a chance to play though. How this was done follows.

After a 40 minute set by the house band, Donny Kountz, Wille Riser and Joe Tate, the first jammers were brought up in organized groups. Starting with John “Coyote” Egan, who brought some of his students and other cohorts, the music was well arranged in spite of the “jam session” thing.

L-R Robert Hobart,Travis Yee, Andy, Don Nguyen and Coyote

Coyote is backed by Travis Yee on guitar, Robert Hobart on guitar, Don Nguyen on bass and Andy on drums.

Coyote has a bunch of original bluesy songs that all these guys know, so it’s good for them to all come up together. Coyote lays down a nice Albert King kind of blues but his student Travis is a smokin’ hot youngster and Coyote uses him to good advantage.

Next up was another rehearsed group playing under the leadership of Gary Berger. Anthony Lincoln was an exciting singer and he doubled on saxophone.

L-R Bonnie Hofkin, Ron Lando, Mike Adams, Don Nguyen, Anthony Lincoln, Ken Markowitz and Gary Berger

In addition, this lineup had Ron Lando on guitar, Mike Adams on drums, Don Nguyen on bass and of course Gary Berger on piano. Bonnie Hofkin and Ken Markowitz assisted on harmonica and guitar as was needed.

This group had a lot of torque and this made people dance. They did a few familiar rock and blues numbers while changing the lineup here and there. There was some pressure to get more of the waiting players up but this played out peacefully with only minor hurt feelings.

"Little Mike" Adams

“Little” Mike Adams drifted from group to group all night which only makes sense because there was a shortage of drummers. There were plenty of guitars though which made it easy on Joe Tate who only had to manage all the others who wanted to play.

Another interesting group on this night was the “Freewheelers.” Fronted by Ilene Vossen, who rocks out on cello, she is backed by Buzz Vossen on bass and Bonnie Hofkin on harmonica.

With house drummer Donny Kountz and guitarist Gabe Navarre, they have a solid beat and got it on right away with stuff like Route 66. Ilene delivers some really nice solos on what is usually thought of as a classical instrument.

 

The Free Wheelers with Gabe Navarre, Bonnie Hofkin, Donny Kountz, Ilene Vossen and Buzz Vossen

What matter though, the sound was new and different and we need some of this stuff just for comic relief from all the serious themes that are carried by the blues.

Anthony Lincoln and Linda Seabright

Throughout much the evening there was some wailing sax coming from the corner of the stage where Anthony Lincoln was hanging with his ax.

There were also some harmonicas working the edge of the room including Scott Sherman and Tom Barr in addition to Hofkin who worked the stage. They had their own amplifiers set up so they would chime in whenever asked. Tate had all three harmonicas blowing at once sometimes. This might have been in poor taste but it was fun.

There was also a performance by “Daylight Again,” a tight harmony trio consisting of Sana Hoffer, David Kemp and Gloria Lopez.

They really lit up the Cruising Club with Ooh Baby Baby, from Crosby Stills and Nash. This was paired up with Have Mercy, a song made famous by Loretta Lynn. They were backed by house band members Donny Kountz on drums and Willie Riser on Bass.

Daylight Again L-R Gloria Lopez, David Kemp and Sana Hoffer

Sana Hoffer also sang solo on Better Off With The Blues, the Delbert McClinton swamp blues hit.

All the jammers made it a great evening and thanks is given here to others who played and sang including Suzie Olsen vocals,Ron Rosano drums, Charlie on guitar and Paul Bohan guitar.

The next Blue Monday Jam session will be on April 11 starting at 7 PM. Bring you instrument and enjoy the buffet dinner for just $5.

For more information about the Sausalito Cruising Club

http://www.sausalitocruisingclub.org/

For more information about Joe Tate go to

http://xrl.in/4y57

To see the Joe Tate’s “Ukulele Baby Songbook” go to

http://ukulelebaby.org/

Here’s the Redlegs playing FBS

http://www.youtube.com/watch?v=fS1ZOiyK06o

Blue Monday at the Sausalito Cruising Club

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , , , , , , , , , , , on March 8, 2011 by joetatesblog

Your regular host, Joe Tate, took the night off due the laryngitis. Jesse Kincaid ably took over for the evening with happening results.

There were over 15 musicians who signed up to play and everyone got a turn on stage. There were guitarists, pianists, drummers, bassists, vocalists and a couple of good harmonicas. Larry Seeger was also there with his “bones” which, surprisingly, can be heard above all the electric guitars and stuff. He holds two bones in each hand and, with a deft wrist motion, a staccato rhythm is produced.

The house band, consisting of Jesse Kincaid, Donny Kountz and Willie Riser, was joined by Gary Berger and Jim Presta on piano, Gabe Navarre, Ken Markowitz, Craig Caffal, Paul Bowan and Swanee on guitar, Ron Rosano and Ian Lee on drums, Linda Seabright, Gloria Lopez, Sana Hoffer, David Kemp, Suzie Olsen, Donna Dacuti and Sheila McEnary on vocals, Diver Dave and Scott Sherman on harmonicas all sometimes accompanied by David Kemp on bass.

Craig Caffal, Ron Rosano, Linda Seabright, Willie Riser and Gabe Navarre

Jesse performed a very nice set including some R&B standards like “Midnight Hour” as well as some good blues from Jimmy Reed to Chuck Berry. Gabe Navarre was first to join the jam and gave us some renditions of Stevie Ray Vaughn and Jimmy Hendrix.

Kempers and Sana rock out

Gary Berger and Jim Presta took turns on the piano while Scott Sherman and Diver Dave did harmonic harmonicas. That’s two harmonicas at once for a powerful blues motif. Suzie Olsen gave us a number of old rockers and also assisted on vocals for Jesse and Gabe.

Ron Rosano took over drums for a while and there were some great vocals from Donna Dacuti. We also heard from Sheila McEnary  and Linda Seabright. Linda dedicated her performance to her friend Herman, a drummer for Dr. John who had just died.

There were also excellent performances by guitarists Paul Bowan and Craig Caffal. These guys are great singers too so they were give a little extra time to unload.

Dueling harps, Scott Sherman, Ian Lee, Paul Bowan, Gabe Navarre, Diver Dave, Suzie Olsen and Gary Berger

The highlight of the evening was the singing trio “Daylight Again” with David Kemp, Sana Hoffer and Gloria Lopez. They sang three songs in perfect harmony starting with Eric Clapton’s “Lay Down Sally”  featuring Kemp on lead Vocal. This was followed by the fifties rocker “Don’t Say Nothin’ Bad About My Baby” and finally a soulful “Long Time Coming” in which Miss Lopez stretched out her voice.

Center, Daylight Again, L, Jesse Kincaid, R, Gabe Navarre

The last performer of the evening was Swanee who gave us some swamp blues overlaid with grunge guitar with some extra nice backing from Jesse, Ken, Gabe and Ian.

The Sausalito Cruising Club is such a great venue for this stuff and the best deal in Marin for Musicians. If you play at the Blue Monday Jam you can have buffet dinner for a mere 5 bucks. It has a great deck area overlooking the bay where the smokers can usually be found. SCC also has a full bar with a wisecracking Quito mixing the drinks.

Swanee closes the show

The next Blue Monday is scheduled for March 14. Please call Joe Tate at 415 385 1606 if you would like to play or attend. If you play guitar or bass all you need is your instrument. You can bring your amp if you like though.

The Department Of Inhalation Therapy