Archive for Sausalito After Dark

Sausalito Cruising Club, No Name bar, Taste of Rome and Seahorse

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , , , , on May 16, 2011 by joetatesblog

The Blue Monday Jam Session at the Sausalito Cruising Club on April 25 had over 22 participants, all of whom came to the stage and played. The house band, consisting of Joe Tate, Donny Kountz and Willie Riser, played the first set of lively blues, mostly covers of oldies but goodies.

There was a surprise visit by two members of the Average Dyke Band and they performed several exciting dance tunes. This refers to Staphanie Teel and Carrie Gesendasy who appear here every other Monday and thus alternating with the Blue Monday Jam Session.

Phil Berkowitz, Donny Kountz, Stephanie Teel and Carrie Gesendasy jam out!

There were also many other excellent players taking the stage this night including John “Coyote” Egan with several of his students, who are all proficient guitarists. The Cruising Club also welcomed harmonica wiz, Phil Berkowitz who joined with Teel and Gesendasy as well as Gary Berger and Anthony Lincoln who wails on the sax and vocalizes some good old Motown songs.

On Saturday April 30, Jerome Phillips and Lonnie Walter joined joe Tate at the No Name Bar. Joe Tate sang a couple things that brought the house down including Roosevelt Blues, which seems to clarify some things about American History.

Lonnie Walter, Joe Tate and Jerome Phillips at the No Name Bar

Jerome Phillips is an incredibly skilled musician who segues seamlessly between Gershwin, Leadbelly or The Beatles. This makes it easy for Tate to move around between the many genres he likes to dabble in.

By the way, you can see Joe Tate sing Roosevelt Blues at http://www.youtube.com/watch?v=k6F7nYzcqJ8

In other news, Saylor’s Restaurant and Bar ended it’s music program on April 31st. Eugene Huggins and Chris Goddard played the final show there. Their many years of playing at Saylor’s Landing every Sunday night had become an institution of the Sausalito social scene.. This came to and end when Sean Saylor moved his operation to it’s present location at the former Guernica Restaurant.

Chris Goddard and Eugene Huggins with David Kemp and Sean Saylor sitting in

The wonderful times had at both these locations will be long remembered by many.

There is a happening scene at the Taste of Rome Restaurant at 1000 Bridgeway featuring music from 7-10 on friday and saturday nights. On May 6th, Joe Tate,  Wendy DeWitt, Lonnie Walter and Kirk Harwood were holding forth as “The Taters.”  The gig was supposed to be played with Joe and Cole Tate who call themselves The Taters but, Cole was away on important business.

Wendy really stirred the audience with her virtuoso piano. While Joe is belting out some old favorite, Wendy has his back and drives it home with lots of torque, so to speak.

Kirk Harwood, Lonnie Walter, Joe Tate and Wendy DeWitt at Taste of Rome

Lonnie Walter plays bongos while Kirk Harwood has a pair of congos and other handheld percussion instruments. With the piano and guitar it all creates a very nice sound for a small place where a full band may get to be a little too much.

The high point of the evening may have been when a troupe of Girl Scouts sat in one section all singing the responses to Minnie The Moocher. This of course is the Hi de hi de hi de ho song made famous by Cab Calloway which energizes audiences everywhere.

Joe Tate and Miles Ceralde at the No Name Bar

The next day, May 7, Miles Ceralde  played with Joe Tate and Lonnie Walter at the No Name Bar in what is, perhaps, a prelude of things to come. Miles is just twenty and getting him to play here involved doing some research on the law and convincing the owners that this is legal. Under the rules, none of the other musicians are allowed to drink. That was easy for Joe, whose booze career ended long ago, though Lonnie Walter was a little chagrinned

Ceralde really showed what he was made of, burning up the fretboard with youthful riffs that were decidedly of the jazz and blues flavor. It’s refreshing to see a youngster with so much going on. Miles Ceralde will be back at the No Name Bar with Joe Tate on June 25.

The next week Sandy “Ukulele” Bailey joined Joe Tate and Lonnie Walter at the No Name Bar for a show that was quite different than the usual. Bailey sings and plays ukulele and bass, switching instruments between songs as needed. Joe Tate is an ukulele nut too and tonight he shares some of the bass duties when Bailey plays ukulele.

Joe Tate and Sandy Bailey at the No Name Bar

They performed many Hawaiian  songs interspersed with Americana of the blues and jazz persuasion. With Ukulele Bailey’s sweet smooth voice and Tate’s characteristic growl, the harmony achieved between them is remarkable, especially on the Hawaiian songs, some of which they deliver in the Hawaiian language.

Bailey tore the place up with his rendition of On Bridgeway, a paraody of On Broadway, the smash hit by George Benson. The song even refers to the No Name Bar itself. When Ukulele Bailey returns June 18, you’ll want to come just to hear this song.

A little later this same night, The Tickets played at the Sausalito Seahorse Restaurant which is located on Harbor Drive near Gate 5 Road. The Tickets sound great in this room which has pretty nice acoustics. Debra Clawson, who fronts the group, has an unusual voice which lends itself well to the blues and pop music that make up The Tickets repertoire.

The Tickets at Sausalito Seahorse Restaurant

This restaurant has good food and a nice atmosphere except for the lighting which is overdone. There’s all these weird computer driven LED spots along with colored lights on the stage which make the performers look like zombies. A lot of fun can be had here in spite of these small distractions.

To learn more about The Tickets go to

http://www.myspace.com/theticketsband

To learn more about Joe Tate go to

http://xrl.in/4y57

See the Ukulele Baby Songbook at

http://ukulelebaby.org/

The No Name Bar flyer Joe Tate and Ukulele Bailey

Here’s another video of Joe Tate  playing the ukulele and singing Don’t Think Twice

http://www.youtube.com/watch?v=Ik8zVBZLJtk


Uncle Buffet at the No Name Bar 42311

Posted in Bay Area Music, Eugene Huggins, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , on April 27, 2011 by joetatesblog

Joe Tate has hooked up with a couple of singers who do the Jimmy Buffett songbook. Chris Wilson, who often plays the No Name Bar with Eugene Huggins, plays bass and sings with Don Trujillo who handles the chords on guitar.

This meet-up was arranged by Lonnie Walter who plays here every Saturday with Joe Tate. Excluding Tate, they have a regular Jimmy Buffet show that they perform around the Bay Area working with other artists.

Uncle Buffett: Lonnie Walter, Joe Tate, Don Trujillo and Chris Wilson

Anyway, they have a good sound which generates a lot of sing along action from the bar.

Joe Tate opens with Scotch And Soda followed by Blueberry Hill. The next bite is Jimmy Buffett’s Changes In Latitude and Margaritaville, perhaps his best known and loved songs.

Don Trujillo and Chris Wilson

Extra tips soon guaranteed hearing Margaritaville again in the second set. Don Trujillo and Chris Wilson delivered some nice harmony on  Cheesburgers In Paradise and Son Of a Son. Tate came back with Minnie The moocher and Little Egypt just to give things a little balance.

Some of the JB songs have hand clapping breaks in which everyone keeps time while Don does some kind of Caribbean rap that was profound and unintelligible at the same time.

Chris Wilson sings up a storm on Wait In Vain and we hear Trujillo leave the JB format on Mercury Blues, the K.C. Douglas/Robert Geddins hit from 1949, a year when Mercurys were all the rage.

Four hands clapping: Lonnie Walter, Joe Tate

Tate finishes out the set with Satisfaction in an attempt to, sort of like, not fit in.

The second set featured more of JB’s big hits including Music for Money, Pencil Thin Mustache and  Volcano. Trujillo also sang Brown Eyed Girl with vocal assists from Tate and Wilson. Tate also came back with good old Down Home Girl and Poison Ivy, both Leiber/Stoller songs from the fifties.

It was a very pleasant evening with a friendly mixture of tourists and locals.

Joe Tate plays the No Name Bar every Saturday. For more information go to

http://localmusicvibe.com/band/joe-tate

To see Joe Tate’s Ukulele Baby Songbook go to

http://ukulelebaby.org/

The misspelled poster

Blue Monday at the Sausalito Cruising Club 41111

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , , on April 14, 2011 by joetatesblog

The House Band: Donny Kountz, Joe Tate and Willie Riser

After some interminable chit chat and milling around, the house band starts at 7 and, after about 45 minutes, Joe Tate opens up the stage for others to sit in. On this occasion, there were many fine players in attendance including the wonderful Lisa Kindred who really rocked the house with her rendition of Let The Good Times Roll.

The band starts the evening with Blue Monday as usual. Then, after Blueberry Hill, Fats Domino is absent the rest of the set. Then there’s some Creedence Clearwater, Chuck Berry, the Coasters and finally Tate sings something called Roosevelt Blues which tells the rather poignant story of Franklin Roosevelts life. We will be hearing more of this song, written by McKinley Peebles, after the Presidents death.

Let The Good Times Roll: R Lisa Kindred

First up to sing is, of course, Miss Lisa Kindred who, as mentioned, starts the house rockin on that first number. Then she gives out her feminized version of the much recorded Lee Dorsey classic which she calls Get out Of My Life Sweet Thang. This is over the top but nothing prepares us for what she sings later. The most sublime voicing for House Of The Rising Sun was showered down upon us in an unmitigated feast of harmony.

Next up is John “Coyote” Egan with his guitar students, Marco Ugolini and Robert Hobart. Coyote, as he is known, plays a bright and vibrant form of original blues. One of his songs that stands out is Rolling Into Texas. He carries the vocal and segues into some scorching guitar. His students imitate and sometimes upstage him at this game. It’s all in fun, even though Coyote sometimes feigns annoyance.

Marco Ugolini, Andy Mendell, Coyote and Willie Riser

There was also a harmonica section, with Diver Dave and Scott Sherman, that hangs out at the edge of the dance floor. They take turns on solos whenever they get the high sign from whoever is leading. They worked intermittently with all of the performers, helping out here and there with solos and train rhythms where needed.

Scott Sherman, Robert Hobart, Marco Ugolini and Andy Mendell

There was more good stuff to come with Anthony Lincoln providing vocals with his partner Gary Berger on piano. It’s just an old upright with a microphone jammed in the back but it sounds good as long as the guitar players don’t get carried away with their volume knobs.

Anthony Lincoln

Anyway, this duo is joined by Joe Tate on guitar, Ron Rosano on Drums and willie Riser on Bass. With Tate assisting on vocals, Lincoln burns through some good R&B numbers, like Mustang Sally, Shotgun with Lincoln on sax, Hit The Road Jack and Spooky just to mention a few.

In the middle of the set, Suzie Q takes the stage and gives out her rendition of Love Potion #9. She is the sweetheart of the waterfront and everybody loves her.

The last set is played by the one and only Craig Caffall who has his own popular band and plays flawless guitar blues. Willie Riser takes a break here while Tate takes over bass.

Caffall leads off with some basic funk then moves on to Rot Orbison’s Born On The Bayou. He delivers it up in Creedence Clearwater style then follows with The Thrill Is Gone, the Rick Darnell/Roy Hawkins tune that has been recorded by so many.

Donny Kountz, Craig Caffall, Willie Riser and John "Oz" Gordon.

Willie Riser returned to the stage and Caffall belted out a few more tunes including Before You Accuse Me, a song many don’t realize was written by Bo Diddley. In any event, this version sounded as good as Clapton.

The house band finishes the night with Tate’s rendition of Minnie The Moocher. The Hidee Hidee Ho’s are returned from the audience in one last spasm of musical exuberance.

But wait! Gabe Navarre suddenly shows up and we squeeze one more song out of him. What it was, nobody knows.

The Craig Caffall Band plays the Seahorse Restaurant this Friday night. Here’s the listing

http://www.localmusicvibe.com/event/craig-caffall

Joe Tate plays the No Name Bar in Sausalito every Saturday evening at 6. To learn more go to

http://xrl.in/4y57 or    http://www.theredlegs.com/JoeTate.html

Joe Tate’s Ukulele Baby Songbook is here

http://ukulelebaby.org/

No Name Bar and Presidio Yacht Club

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life with tags , , , , , , , on April 4, 2011 by joetatesblog

It was a bar hopping evening starting at the No Name Bar in Sausalito at 6PM. Joe Tate plays here every week at this time along with Lonnie Walter and one other of his rotating guests. This week, Jerome Phillips rounds out the trio with his very experienced keyboard playing. Joe Tate performs his usual New Orleans swamp blues along with a couple new numbers like Little Egypt, the famous Leiber and Stoller song best known for its Coasters recording.

Lonnie Walter, Joe Tate and Jerome Phillips

They also let loose with some good old Chuck Berry stuff like Nadine which Jerome sings to good effect. Jerome also performs some nice instrumentals here and there while Tate scurries around with the tip jar.

They were selling  some DVDs of The Last Free Ride, a movie which chronicles the houseboat wars which took place here in the 70s. Tate also sells the Ukulele baby Songbook which come with a CD of him performing all the songs in the book. It is available at

http://ukulelebaby.org/

They finish up the night with Cab Calloway’s Minnie The Moocher and finally Chuck Berry’s Rock and Roll Music.

The next bar hop was to the Presidio Yacht Club where The Tickets, fronted by Debra Clawson, were playing. This joint is located in one of the most beautiful spots on earth on the edge of Horseshoe Cove at the foot of the north tower of the Golden Gate Bridge. Viewing the bridge and San Francisco is like looking at a post card come to life. If you haven’t been here you should check it out. For information go to

http://www.presidioyachtclub.org/

Anyway, The Tickets do a lot of the popular covers from the Rolling Stones and other great rock groups. They also do some very nice originals with clever chord progressions and diatonic melodies. Very reminiscent of the 60s. This is exactly the kind of music that Bill Graham wanted to get rid of. Happily, in spite of his best efforts, this stuff keeps coming back.

The Tickets at the Presidio Yacht Club

There was a good crowd and The Tickets kept the dance floor full with such tunes as Born To Be Wild, the Steppenwolf classic that idolizes biker chic. Sung by Peter Herbert, who doesn’t appear to be the biker type, the song brings back memories of when Steppenwolf used to play at the Ark in Sausalito.

Debra Clawson comes back with a ballad or two that showcases her one of a kind voice.

The next bar hop was back to the No Name Bar where Wendy DeWitt was making some very fine music with her excellent band. With Kirk Harwood on drums, Jan Martinelli on bass, and Steve Freund on guitar, this group is a force to be reckoned with.

 

Kirk Harwood, Steve Freund, Jan Martinelli and Wendy DeWitt

Freund’s mastery of the guitar is beyond words. But his powerful vocals leave little doubt that he is the real deal. Combined with the Queen Of Boogie Woogie’s over the top piano, it’s easy to see why Harwood and Martinelli get excited. Kirk Harwood in particular keeps bouncing up and down with every cymbal crash. He just can’t sit still.

Anyway, this was real fun evening and hearing these folks was the perfect ending.

To learn more about Wendy DeWitt go to

http://www.wendydewitt.com/

To learn more about Steve Freund go to

http://www.stevefreund.com/

To learn more about The Tickets go to

http://www.myspace.com/theticketsband

To learn More about Joe Tate go to

http://xrl.in/4y57

Blue Monday at the Sausalito Cruising Club 032811

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , on March 31, 2011 by joetatesblog

Another fun night of jamming at the Sausalito Cruising Club was had with at least 25 musicians who came to sit in. Every one got a chance to play though. How this was done follows.

After a 40 minute set by the house band, Donny Kountz, Wille Riser and Joe Tate, the first jammers were brought up in organized groups. Starting with John “Coyote” Egan, who brought some of his students and other cohorts, the music was well arranged in spite of the “jam session” thing.

L-R Robert Hobart,Travis Yee, Andy, Don Nguyen and Coyote

Coyote is backed by Travis Yee on guitar, Robert Hobart on guitar, Don Nguyen on bass and Andy on drums.

Coyote has a bunch of original bluesy songs that all these guys know, so it’s good for them to all come up together. Coyote lays down a nice Albert King kind of blues but his student Travis is a smokin’ hot youngster and Coyote uses him to good advantage.

Next up was another rehearsed group playing under the leadership of Gary Berger. Anthony Lincoln was an exciting singer and he doubled on saxophone.

L-R Bonnie Hofkin, Ron Lando, Mike Adams, Don Nguyen, Anthony Lincoln, Ken Markowitz and Gary Berger

In addition, this lineup had Ron Lando on guitar, Mike Adams on drums, Don Nguyen on bass and of course Gary Berger on piano. Bonnie Hofkin and Ken Markowitz assisted on harmonica and guitar as was needed.

This group had a lot of torque and this made people dance. They did a few familiar rock and blues numbers while changing the lineup here and there. There was some pressure to get more of the waiting players up but this played out peacefully with only minor hurt feelings.

"Little Mike" Adams

“Little” Mike Adams drifted from group to group all night which only makes sense because there was a shortage of drummers. There were plenty of guitars though which made it easy on Joe Tate who only had to manage all the others who wanted to play.

Another interesting group on this night was the “Freewheelers.” Fronted by Ilene Vossen, who rocks out on cello, she is backed by Buzz Vossen on bass and Bonnie Hofkin on harmonica.

With house drummer Donny Kountz and guitarist Gabe Navarre, they have a solid beat and got it on right away with stuff like Route 66. Ilene delivers some really nice solos on what is usually thought of as a classical instrument.

 

The Free Wheelers with Gabe Navarre, Bonnie Hofkin, Donny Kountz, Ilene Vossen and Buzz Vossen

What matter though, the sound was new and different and we need some of this stuff just for comic relief from all the serious themes that are carried by the blues.

Anthony Lincoln and Linda Seabright

Throughout much the evening there was some wailing sax coming from the corner of the stage where Anthony Lincoln was hanging with his ax.

There were also some harmonicas working the edge of the room including Scott Sherman and Tom Barr in addition to Hofkin who worked the stage. They had their own amplifiers set up so they would chime in whenever asked. Tate had all three harmonicas blowing at once sometimes. This might have been in poor taste but it was fun.

There was also a performance by “Daylight Again,” a tight harmony trio consisting of Sana Hoffer, David Kemp and Gloria Lopez.

They really lit up the Cruising Club with Ooh Baby Baby, from Crosby Stills and Nash. This was paired up with Have Mercy, a song made famous by Loretta Lynn. They were backed by house band members Donny Kountz on drums and Willie Riser on Bass.

Daylight Again L-R Gloria Lopez, David Kemp and Sana Hoffer

Sana Hoffer also sang solo on Better Off With The Blues, the Delbert McClinton swamp blues hit.

All the jammers made it a great evening and thanks is given here to others who played and sang including Suzie Olsen vocals,Ron Rosano drums, Charlie on guitar and Paul Bohan guitar.

The next Blue Monday Jam session will be on April 11 starting at 7 PM. Bring you instrument and enjoy the buffet dinner for just $5.

For more information about the Sausalito Cruising Club

http://www.sausalitocruisingclub.org/

For more information about Joe Tate go to

http://xrl.in/4y57

To see the Joe Tate’s “Ukulele Baby Songbook” go to

http://ukulelebaby.org/

Here’s the Redlegs playing FBS

http://www.youtube.com/watch?v=fS1ZOiyK06o

March 14 Blue Monday at the Sausalito Cruising Club

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , , , , , , , on March 16, 2011 by joetatesblog

Well whaddya know? Monday night was frittered away playin the blues and more. The house band, with Joe Tate, Willie Rizer and Donny Kountz did the opening set with “Blue Monday” and some other simple stuff to get the evening started.

Debra Clawson,Tom Barr, Joe Tate, Jeff Suits and Oz

We had a couple of surprise visits. First was Mike Adams who, as a young teenager, played drums occasionally with the Redlegs. Everyone was amazed at how good could he play when just a boy. Tonight, he took over the drums after Andy Mendell, who was the first jamer of the evening. Andy came up before the end of the set so Donny got some quick downtime. Suzie Olsen also assisted on vocals during the set.

As soon as Tate took a break, John “Coyote” Egan took up the guitar like a menacing weapon. The Flying V is just a little scary. At his request, Tate hung on to his old bat guitar and assisted with Coyote’s set.

Jamers: Mike adams, David Kemp, Coyote and Jim Presta

There were generous portions of wailing harmonica with Tom Barr, Scott Sherman and Diver Dave taking turns. Paul Seaward got in on the action too.

There was also some good horn action too. Ray DeFazio had his baritone sax and his friend, Bruce, played a really melodic trumpet. These guys came in real handy during “I Got A Woman.”

The second surprise was that four members of the Tickets showed up. Lead singer Debra Clawson dragged her crew down to the club after Monday Night rehearsal. Apparently they hadn’t had enough howling at the moon yet.

They had some new songs they had been working and we got to hear some of the stuff. Some of it was high energy rock with a kind of swing beat. Their drummer, Peter Herbert, has a certain touch that sets these rhythms off.

Some Tickets: Will Leidenthal,Peter Herbert, Debra Clawson and Oz.

Debra Clawson and guitarist Will Leidenthal do some really nice duets and of course she can belt of the blues like nobodies business. They were joined by their regular bassist, Jeff Suits and  drop in guitarist, John “Oz” Gordon.

Jerome Phillips

Near the end we were treated to some excellent funk led by pianist, Jerome Phillips. It is always a pleasure to hear Jerome play. He has been playing at Seahorse on Monday nights and showing up here near the end. He also plays with Joe Tate at the No Name Bar and will be there with him on the 2nd and 30th of april. Joe Tate plays the No Name every Saturday with various other artists. You can check out his show there in the early evening, starting at 6 PM.

To Learn more about the happenings go to

http://www.theredlegs.com/JoeTate.html

Video is at

http://www.youtube.com/watch?v=fS1ZOiyK06o

Blue Monday at the Sausalito Cruising Club

Posted in Bay Area Music, Night Beat, Sausalito After Dark, Sausalito night life, ukulele music with tags , , , , , , , , , , , , , , , , , , , , on March 8, 2011 by joetatesblog

Your regular host, Joe Tate, took the night off due the laryngitis. Jesse Kincaid ably took over for the evening with happening results.

There were over 15 musicians who signed up to play and everyone got a turn on stage. There were guitarists, pianists, drummers, bassists, vocalists and a couple of good harmonicas. Larry Seeger was also there with his “bones” which, surprisingly, can be heard above all the electric guitars and stuff. He holds two bones in each hand and, with a deft wrist motion, a staccato rhythm is produced.

The house band, consisting of Jesse Kincaid, Donny Kountz and Willie Riser, was joined by Gary Berger and Jim Presta on piano, Gabe Navarre, Ken Markowitz, Craig Caffal, Paul Bowan and Swanee on guitar, Ron Rosano and Ian Lee on drums, Linda Seabright, Gloria Lopez, Sana Hoffer, David Kemp, Suzie Olsen, Donna Dacuti and Sheila McEnary on vocals, Diver Dave and Scott Sherman on harmonicas all sometimes accompanied by David Kemp on bass.

Craig Caffal, Ron Rosano, Linda Seabright, Willie Riser and Gabe Navarre

Jesse performed a very nice set including some R&B standards like “Midnight Hour” as well as some good blues from Jimmy Reed to Chuck Berry. Gabe Navarre was first to join the jam and gave us some renditions of Stevie Ray Vaughn and Jimmy Hendrix.

Kempers and Sana rock out

Gary Berger and Jim Presta took turns on the piano while Scott Sherman and Diver Dave did harmonic harmonicas. That’s two harmonicas at once for a powerful blues motif. Suzie Olsen gave us a number of old rockers and also assisted on vocals for Jesse and Gabe.

Ron Rosano took over drums for a while and there were some great vocals from Donna Dacuti. We also heard from Sheila McEnary  and Linda Seabright. Linda dedicated her performance to her friend Herman, a drummer for Dr. John who had just died.

There were also excellent performances by guitarists Paul Bowan and Craig Caffal. These guys are great singers too so they were give a little extra time to unload.

Dueling harps, Scott Sherman, Ian Lee, Paul Bowan, Gabe Navarre, Diver Dave, Suzie Olsen and Gary Berger

The highlight of the evening was the singing trio “Daylight Again” with David Kemp, Sana Hoffer and Gloria Lopez. They sang three songs in perfect harmony starting with Eric Clapton’s “Lay Down Sally”  featuring Kemp on lead Vocal. This was followed by the fifties rocker “Don’t Say Nothin’ Bad About My Baby” and finally a soulful “Long Time Coming” in which Miss Lopez stretched out her voice.

Center, Daylight Again, L, Jesse Kincaid, R, Gabe Navarre

The last performer of the evening was Swanee who gave us some swamp blues overlaid with grunge guitar with some extra nice backing from Jesse, Ken, Gabe and Ian.

The Sausalito Cruising Club is such a great venue for this stuff and the best deal in Marin for Musicians. If you play at the Blue Monday Jam you can have buffet dinner for a mere 5 bucks. It has a great deck area overlooking the bay where the smokers can usually be found. SCC also has a full bar with a wisecracking Quito mixing the drinks.

Swanee closes the show

The next Blue Monday is scheduled for March 14. Please call Joe Tate at 415 385 1606 if you would like to play or attend. If you play guitar or bass all you need is your instrument. You can bring your amp if you like though.

The Department Of Inhalation Therapy